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Aryel René Jackson (they/them) is an interdisciplinary artist, educator, and curator whose practice engages soil, compost, fabric, and residue as responsive materials. Their work moves across printmaking, textiles, installation, performance, and moving image to explore transformation, self-expression, and the shifting identities of organic matter. 

Jackson’s current work uses soil-based printmaking and quilting to consider the relationship between interior and exterior life. Through monotype, collagraphy, silkscreen, mud dyeing, embroidery, and stitched fabric, they move soil-based materials between surface, body, image, and cloth. Compost and soil are collaborators that register pressure, accumulation, transformation, and renewal. 

Drawing from quilting as a Black knowledge system of care, repetition, repair, and survival, Jackson connects housework and fieldwork as forms of activating memory and ecological transmission. Their recent “Compost”, “Compost Ghost”, “Compost Matrix”, and “Quarter Square” works transform waste and matter into prints and textiles that hold trace, tension, and the possibility of regeneration. 


Archive & Exhibitions

CV 





Education
MFA, Transmedia and Print The University of Texas at Austin

BFA, Video, Photography, and Animation The Cooper Union for the Advancement of Science and Art




ExhibitionsResonant Landscapes: Sci-Fi Narratives and Historical Echoes
Ivester Contemporary, Austin, TX
2024

What it means: Iterations of a welcoming place
HOST Series, The Contemporary Austin, Jones Center, Austin, TX
2023

A Welcoming Place
Women & Their Work, Austin, TX
2022

Descendance
Jacob Lawrence Gallery
Seattle, WA
2021

Video Series
New Museum, New York, NY
2019

The Origin of the Blues
RISD Museum, Providence, RI
2017

The Blues Data Crop
Wave Hill, Bronx, NY
2016




Awards & FellowshipsInternational Studio & Curatorial Program
ISCP, Brooklyn, NY
2025

AIR Program
Bemis Center for Contemporary Arts, Omaha, NE
2024

Juried Time-Based The Future is a Constant Wake
ArtPrize, Grand Rapids, MI
2023

Jacob Lawrence Legacy Residency
Jacob Lawrence Gallery, Seattle, WA
2020

Black Spatial Relics Micro Grant
Black Spatial Relics, Philadelphia, PA
2019 

Skowhegan School of Painting and Sculpture
2019

Royal College Exchange Award
University of Texas at Austin, London, UK
2018







Teaching & Curating
Lecturer, Texas State University, Fall 2021-Fall 2025, San Marcos, TX

Curator, Cage Match Project, The Museum of Human Achievement, 2020-2025, Austin, TX

Visiting Lecturer, The Princeton Atelier, Spring 2023, Princeton, NJ

Lecturer, The University of Texas at Austin, Spring 2021

Curator, Inner Out, Moonmist Gallery & Virginia Commonwealth University Arts, The Anderson, October 2020, Virtual


Et cetera
Performance, “Aryel René Jackson: Re:Future” Monday, April 14, 2025 at Emmanuel Gallery, College of Arts & Media, University of Colorado, Denver, CO

Interview, “Aryel René Jackson on Troubleshooting, Surrealism, and Welcoming Places” by Renee Lai, Glasstire, 2024

Screening, “An Evening with Ariel René Jackson” Monday, May 9, 2022 at the Museum of Modern Art (MoMA) for Modern Mondays, New York, NY

Publication, “The Black Traditions of Forecasting”, Antennae Journal, Issue 57, Spring 2022, pp. 91-97

Interview, “Ariel René Jackson on the ‘Detective Work’ of telling truthful stories” by Lise Ragbir, Hyperallergic, February 12, 2021

Lecture, “Forecasting as Cultural Technology”, Conscious Isolation Fine Art Lecture Series, April 24, 2020, London




Last Updated 24.10.31
Recent Work








2026Soil/Compost Block: Triangle I
22 x 43 inch
Silkscreen soil monotype on muslin, compost-dyed muslin, embroidery, zippers.






2026Compost Block: Nine Square II
12 x 12 inch
Monoprint on Rives BFK; Bushwick Compost, Found Fabric, Akua Ink







2026Compost Block: Four Square II
12x12 inch
Collagraphy and Monoprint on Rives BFK; Bushwick Compost, Found Fabric, Akua Ink







2026Compost Block: Hourglass II
12 x 12 inch
Collagraphy and Monoprint on Rives BFK; Bushwick Compost, Found Fabric, Akua Ink






2026Compost Ghost: Bushwick Fragments
12 x 12 inch
Compost Ghost Monoprint on Rives BFK; Akua Ink









April 14, 2025
Presented during CU Denver’s Performance Art Week at the Emmanuel Gallery.
Re:Future
9:36 minutes
Watch

Developed from Jackson’s 2019 video work The Future is a Constant Wake. In April 2025, Jackson performed Re:Future at Emmanuel Gallery for Performance Art Week XIII in Denver as a reworking of the earlier piece. In this version, carved print blocks function as vessels for soil, treated as a temporal collaborator that records presence, labor, and movement. 

Through improvisational choreography, soil acts as collaborator in a video-guided gesture in response to timing. Audio cues trigger repeated actions such as placing blocks and adjusting projectors, while live performances and projected image unfold simultaneously, collapsing material process, research, and action into a shared temporal space. 


 






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